The bulk of the film is set inside the brain of young Riley (Kaitlyn Dias), who's depressed about her mom and dad's decision to move them from Minnesota to San Francisco, separating her from her friends. Riley's emotions are determined by the interplay of five overtly 'cartoonish' characters: Joy (Amy Poehler), a slender sprite-type who looks a little bit like Tinkerbell without the wings; Sadness (Phyllis Smith), who's soft and blue and recessive; Fear (Bill Hader), a scrawny, purple, bug-eyed character with question-mark posture; Disgust (Mindy Kaling), who's a rich green, and has a bit of a 'Mean Girls' vibe; and Anger (Lewis Black), a flat-topped fireplug with devilish red skin and a middle-manager's nondescript slacks, fat tie and short-sleeved shirt. There's a master control room with a board that the five major emotions jostle against each other to control. Sometimes Joy is the dominant emotion, sometimes Fear, sometimes Sadness, etc., but never to the exclusion of the others. The controller hears what the other emotions are saying, and can't help but be affected by it.
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The heroine's memories are represented by softball-sized spheres that are color-coded by dominant emotion (joy, sadness, fear and so forth), shipped from one mental location to another through a sort of vacuum tube-type system, then classified and stored as short-term memories or long-term memories, or tossed into an 'abyss' that serves the same function here as the trash bin on a computer. ('Phone numbers?' grouses a worker in Riley's memory bank. 'We don't need these. They're in her phone!') Riley's mental terrain has the jumbled, brightly colored, vacu-formed design of mass market toys or board games, with touches that suggest illustrated books, fantasy films (including Pixar's) and theme parks aimed at vacationing families (there are 'islands' floating in mental space, dedicated to subjects that Riley thinks about a lot, like hockey). There's an imaginary boyfriend, a nonthreatening-teen-pop-idol type who proclaims, 'I would die for Riley. I live in Canada.' A 'Train of Thought' that carries us through Riley's subconscious evokes one of those miniature trains you ride at zoos; it chugs through the air on rails that materialize in front of the train and disintegrate behind it.
The story kicks into gear when Riley attends her new school on the first day of fifth grade and flashes back to a memory that's color-coded as 'joyful,' but ends up being reclassified as 'sad' when Sadness touches it and causes Riley to cry in front of her classmates. Sadness has done this once before; she and Joy are the two dominant emotions in the film. This makes sense when you think about how nostalgia—which is what Riley is mostly feeling as she remembers her Minnesota past—combines these two feelings. A struggle between Joy and Sadness causes 'core memories' to be knocked from their containers and accidentally vacuumed up, along with the two emotions, and spat into the wider world of Riley's emotional interior. The rest of the film is a race to prevent these core memories from being, basically, deleted. Meanwhile, back at headquarters, Fear, Anger and Disgust are running the show.
Check out the new Hyper-V, find new and easier ways to remotely connect back into the office, or learn all about Storage Spaces―these are just a few of the features in Windows Server 2012 R2 that are explained in this updated edition from Windows authority Mark Minasi and a. Back to 1942 (November 29, 2012) Rise of the Guardians (November 21, 2012) Life of Pi (November 21, 2012) Ah Boys to Men (November 8, 2012) Chasing Mavericks (October 26, 2012) Taken 2 (October 5, 2012) Brave (June 22, 2012). Step 5: Turn one finished leg right side out, and stuff it into the other leg, matching up the seams at both sides (the right sides should be together). Step 6: Match the seams, and pin all along the curved inseam. (Not the waist!) Step 7: Sew the U-shaped inseam, and finish the seam allowance with a serger or zig zag. Step 8: Pull the one leg back out of the other, and flip them right side out.
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